Should My Cervix Be High During My Period?

To Marta Moriarty

say that women have suffered more than men in the last hundred years is a generality, but only either because the suffering of women and men are closely related. She suffers and everyone (children, parents, husbands, lovers, friends) suffer with it. No thermometers of suffering and the last thing you would think absurd establish competence in the field terrible and sacred the suffering is real. However, in art, women and their creation have been particularly close to the pain in all its forms and manifestations. In this blog have spoken from this point of view of great creative as Anna Akhmatova, Hillesum Etty, Isak Dinesen, Marina Tsvetaeva, Katherine Mansfield, Francesca Woodman and many others. The other day I mentioned Clara Haskill, few days and hung up his interpretation of the Toccata in E Minor by Bach (BWV 914) . Jewish Bucharest , became ill (a terrible first barely scoliosis allowed to stand or play the piano and a brain tumor at age 46 for life led him down the path of bitterness), war, exile, exclusion, the Nazi threat of death. Today I want to talk about another great woman, the Russian pianist Yudin Maria (Mary Oudin). Born in 1899 in the thirties, people like Pavel Florenskij and musicians like Shostakovich or Neuhaus the already considered a classic genius. His deeply religious enmity with the scheme and had no major retaliation was because Stalin loved his music. He was brave. Once stopped a concert in solidarity with Pasternak recited a poem of his. is said that when Stalin heard on the radio its interpretation of Concert 23 of Mozart is excited and asked for the recording. But there was no way to get it. Ordered her to wake Oudin at night and recorded it immediately. It organized a study, we sought an orchestra and the faster the recording was made. The dictator, only to hear the first notes began to mourn. He wanted to pay him generously to the artist. Oudin took the money to donate to the Church for the specific purpose of which is made perpetual prayers for the sins of Stalin. Here is an excerpt from his interpretation of Italian Concerto (BWV 971).